Diversity Rules Magazine welcomes Epiphany Mattel as its November feature.
Straight shooting hip hop trans artist Epiphany Mattel takes aim at pretty people who make themselves ugly by refusing to wear the most important accessory — a smile — in her hot new single, “#FIXYOFACE,” out now. The track is a beat-driven hip-hop club banger with an important message. “It’s about everyone going above and beyond with their appearance to stand out and be noticed at clubs today, but then they bring their scowl, a ‘resting bitch face,’ that makes them unapproachable,” explains Mattel. “They’re so insecure with themselves, they push that negative energy on the rest of the party and make everyone else uncomfortable. It’s a party bitches… lighten the hell up.” Along with the track, Epiphany Mattel has released a music video for “#FIXYOFACE,” directed by Assad Yacoub, the director of the hit film, Cherry Pop. Epiphany Mattel’s “#FIXYOFACE” is available on iTunes, Spotify and all digital platforms. The music video is on Youtube.
The message of “#FIXYOFACE” is one she lives by. As a music artist, Epiphany Mattel is raw, unapologetic, and provocative. She stirs pots and fixes plates by speaking her truth and not caring if people receive it or not, as long as they hear her. “It’s important to me that people know my name, respect my mind and acknowledge my existence,” she says. “Who’s gonna believe I’m a star if I don’t believe it myself? I am a bad-bitch force to be reckoned with. You may not know it yet and that’s cool for now because in time, you will.”
Epiphany Mattel has big dreams. She aims to create a movement in sound; something similar to Neyo, The Dream, and Kanye West where other artists might create similar songs but fans will always recognize it as an Epiphany Mattel joint.
Epiphany Mattel’s new single, “#FIXYOFACE,” is available on iTunes, Spotfly and all digital platforms. The music video is available on Youtube.
Follow Epiphany on social media:
Facebook: @Epiphanymattel
Instagram: @Epiphany_Mattel
Twitter: @Team_Mattel
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